Reel Reviews

Harvey -- The proof that this is a fantastic movie? When the moment of crisis comes, the moment when Elwood P. Dowd is in danger of becoming just an ordinary guy--maybe--the viewer will most likely be moved, possibly even heartbroken. That’s quite a bit of work for what is a fairly restrained film, one that gives its comedy a lot of room to breathe and injects just enough pathos to give it all some heft. It’s been remade at least once, but that was a quixotic idea, for without Jimmy Stewart and his essential self, the role of Dowd and the entire story would be either too silly (and not in a good way) or absurd to the point of falling entirely flat. Thankfully, we have this one result of when Stewart and company teamed up to do it right.

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Ted 2 -- In familiar Family Guy style, Seth MacFarlane is not about to let a joke go without making sure to beat it all the way into the ground. While the original Ted was comedy gold, this one's closer to a bronze medal: a fairly steady steam of good laughs, but with just enough stupidities woven in--and recycled bits from the first--to take the overall quality level down a notch. And of course, in keeping with the flavor of both films, it probably helps immensely if you watch it when you're stoned.

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Metropolis -- The first great sci-fi movie? I'll go with that. Once you get past the disorientation of watching a silent movie--there's always a bit of that for a modern viewer--you very quickly sink into an absorbing story and visual presentation that is every bit as creative as most movies these days. And a story about out of touch elites and the dire consequences that can result from that inequality remains very relevant to today. Note: this review comes from watching the "restored" version of this film.

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Into The Woods -- My hearing must be going. Once again I've watched a movie where I couldn't hear a lot of the dialogue--in this case, in musical form--over all the background noise and orchestration. Alas, the burden of getting old. The fact that that is my concern when thinking about this film is a warning sign; it's a movie that promises much but delivers not nearly enough. I'm not sure the "wisdom" of the fairy tale rewrites is all that wise; folk wisdom gets to be folk wisdom for a reason, and you coming along with your jaded worldview does not necessarily change everything. Oh well; at least you get to spend a chunk of a couple of hours with the awesomeness that is Anna Kendrick, so that's something.

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And Another Thing...
by Eoin Colfer

There are many reasons to approach this book with great skepticism. It's a "Hitchhiker's Guide to the Galaxy" book that was not written by Douglas Adams; strike one. It was written by Eoin Colfer, who achieved success with the Artemis Fowl books, of which I read the first installment and was not particularly impressed; strike two. And it was produced after Adams had shuffled off his coil, and apparently without his participation; a Wikipedia entry claims that some of the story elements came from Adams's plans for a sixth installment, though it remains vague about just how much of the work comes from his efforts. That should be strike three and it's out.

Except that it's not. Somehow, Colfer made it safely to first base, or whatever is the equivalent in cricket. This came as a big surprise...but then, surprises are part of the raison d'etre of the Hitchhiker's series.

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Puss in Boots
by Philip Pullman / Ian Beck, illus.

I'm not impressed.

It's been a long time since Philip Pullman made a splash with His Dark Materials and its associated works. It has been nearly as long as Pullman gave his readers other great pieces of work, such as Clockwork and The Scarecrow and His Servant. Given the span of time that has passed since the author last wowed us, maybe it's time to reclassify Pullman, not as a star but as a comet--a body that shone brightly for a while, but eventually disappeared from the literary sky, perhaps never to return again.

It's not that this version of Puss in Boots is bad; Pullman does a serviceable job of presenting the traditional story; there are no passages in his tale that make the reader want to throw the book across the room or anything like that. But Pullman expands upon Charles Perrault's tale, including scenes with a hermit and some ghouls which, frankly, don't particularly add anything special to the story.

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The Hobbit: The Battle of The Five Armies -- Diseases sometimes run in families; that may be the best way to think of the things that are wrong with this movie. As with its brethren films in this trilogy that should have been one feature, it suffers from the same frailties--only here those problems are magnified due to having festered all the way through two films already. The liberties with the story--both wild extrapolations from the original text and outright fundamental revisions to the story--are least welcome here at the climax and denouement; the deviations are all the more glaring in their lack of respect for the original material. Certain Elves don't belong in this story; a minor character is given way too much screen time; and the attempt at epic scope in the final battle just makes things confused and unclear. Ironically, a lust for dragon's gold--in this case, box office wealth--is what did in this project from the start. Let it be a lesson to future filmmakers.

Reel Reviews

Interstellar -- I think this movie's heart is in the right place. Director Christopher Nolan has built a lot of equity with previous works, so one might be willing to give him the benefit of the doubt, or at least a pass on certain things. But that also means there's a pretty high level of expectations attached to his projects, and this one does not live up to that hype. I'm not bothered by the predictability of what seems to be an obvious attempt at ginning up a big "shocking twist"; I'm more concerned about the vagueness surrounding much of the film's presentation: the unsteady science (including that one major boner that every screenwriter seems to love, misunderstanding black holes), the characters' odd motivations, even just the set-up for why all this is necessary in the first place. Indeed, the science is so vague in some places that this might be a more honest movie if it were an outright fantasy, with everyone wearing robes and pointed hats and doing magic rather than talking about wormholes. Too much of what may have been intended as atmospheric obscurity simply comes across as intellectual or creative laziness. If you want to shoot something into space in a rocket, make it your lack of willingness to work the problem all the way through.

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The LEGO Movie -- There's no way that this movie would have been given nearly the high appreciation it received upon release had it not been for the fact that the animation involved all those billions of blocks. Everything in the film is formulaic; we've seen it all before--the misfit hero, the vaguely inaccessible love interest, the odd mentor(s), the cliches about belief and everyone's intrinsic value, all set in a fantasy world. If the visuals were not as impressive as they are, this brick flick would have passed by without nearly as much praise. But the blocks have a following, to be sure, and that almost guaranteed success regardless of the script. I guess it's not awful, but this one never really grabbed me at any deep level. Chances are you could entertain yourself more with a few buckets of bricks and a free afternoon.

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Dawn of the Planet of the Apes -- The most ridiculous thing about this movie? The copious amounts of rain that are supposed to be falling on parts of California throughout. Talk about fiction, science or otherwise. The biggest takeaway here may be the fact that Andy Serkis is a marvel; how he is able to convey as much emotion as he does through the medium of motion capture, acting while wearing a "CGI mask" so to speak, is simply remarkable. And that talent serves this film well; though there is some absurdity to the plot, especially in the beginning (a weakness shared with its predecessor), this flick delivers an engaging, entertaining story that actually comes with some suspense in its denouement. If they can keep improving on their previous effort, another outing in the franchise might not be a bad idea.

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Rise of the Planet of the Apes -- The movie is much like the featured primates: it starts off quite stupid, then it gets a boost midway through and starts looking smarter. It's hard to resist rolling one's eyes at the early parts of the film, especially the very paint-by-numbers plot points about corporate greed being the root of the evil (not that it doesn't ring true; it's just not very well presented here). There's also some character inconsistency that comes across as false and jarring as the story progresses; ironically, it's mostly the apes who stay true to character. And then you get plenty of good monkey mayhem towards the end. Satisfying, but definitely in the "leaves room for improvement" category.

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Guardians of the Galaxy -- This movie gets a huge leg up in generating goodwill from its audience through its amazing soundtrack. The music nails it for appealing to viewers of a certain age, who most likely already have these songs on their preferred listening device--people like yours truly. Then again, it probably does some damage if those viewers recognize the soundtrack as a cynical ploy to appeal to said demographic, and thus boost ticket and home viewing sales. Call all that a wash, and thus we're stuck with trying to judge this film on its own merits--and that is a hit and miss proposition. For every space opera element that is derivative, predictable, and stale, there's also a piece of cleverness, good humor, and just sheer entertainment that offsets the problems. If we do the math, I think the whole thing winds up in the plus column; not by much, but enough that this one gets a passing grade, something just high enough to keep that goodwill going for the inevitable sequel.

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Captain America: The Winter Soldier -- I really wanted to give this flick a positive review, and intended to do so up till the moment I sat down at the keyboard. This film brings likeable qualities to the screen: Chris Evans does a good job of conveying Cap's earnestness, many of the action sequences are typically audacious (a trait shared with its predecessor), the plot even takes a stab at some serious philosophical questions. But...this doesn't seem like a very well thought out movie. The surprises aren't all that surprising, the major reveal doesn't make a great deal of sense (and why "The Winter Soldier"? I don't recall that ever being explained), and the ending largely devolves into the same orgy of destruction we saw in the first Avengers flick. If you're big on the whole Marvel universe, you probably want to watch this one for completeness, if nothing else--just don't pay for it; get it from the library or TV. If they want your dollars, the producers need to do better than this.

Reel Reviews

Mr. Peabody and Sherman -- Here's a cautionary tale about all these nostalgia based remakes we've seen these past several years: if you don't get everything just right when you're competing with someone's memories, the memories win. So it goes with this film. A lot of what's here is good, but when the movie misses the mark--for example: the voice for Sherman is nowhere close to the original--the discrepancy takes the viewer right out of the moment. That's a tough tightrope to walk, and why most nostalgia movies don't succeed. On its own merits, this flick tends to be very clever--they seem to get all the historical facts right--but there's a lot of dumb sprinkled in, too. If not for its attachment to an already known property, I'm not sure this script would have been produced. Put it all together and the ultimate product merits the so-so mark--as much for unfulfilled potential as anything else.

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Godzilla -- (2014) Mild spoiler alert: some of the stuff in this movie doesn't make much sense. In other words, it's a monster movie. Go figure. It may be nonsense, but it's entertaining nonsense. There is perhaps a little too much teasing going on before the big guy starts fucking shit up old school, but I think this flick ultimately delivers on its promises. (The ending of the climactic battle, for sure, delivers quite a jolt.) It's somewhat ridiculous to judge these movies on any criterion other than, do you have a good time watching it? I certainly had a good time watching this one, so it's a go from this end. Enjoy.

Reel Reviews

The Amazing Spider-Man 2 -- Everybody else seems to be on board with this go-around as better than the first set. I'm not so sure. I can fairly vividly remember certain scenes from those earlier movies; I can't say much the same about the first in this series. And while this and its predecessor are certainly entertaining in the moment, it is the long term impact that makes for a great movie, or even a very good one. I liked this flick, but I'm just not sure how much. I guess you're on your own here.

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Jonathan Strange & Mr Norrell
by Susanna Clarke

This book surely must hold the record for longest time it took me to complete reading any work.

Does that mean it’s an awful book? Hardly. In fact, Clarke’s premiere novel delivers an excellent story told with plenty of sharp, witty writing. While the novel has a handful of inherent weaknesses that make for slow going, the bulk of my lengthy fulfillment time derived from my own extenuating circumstances. Had I not chosen to start reading this book just as I was in the midst of working full time (for the first time in ages), and at the same time trying to follow the baseball playoffs, surely this tale of two Georgian gentlemen and their efforts to revive English magic would have held my interest much more deeply than it did.

Jonathan Strange & Mr Norrell
by Susanna Clarke

The basics of the tale--how the owlish Mr Norrell achieves prominence as the wizard who brings magic back to the forefront of English life (in the midst of the Napoleonic wars, no less); all that comes of the thaumaturgical efforts of both Norrell and his brilliant student, Jonathan Strange; and the consequences of the magicians’ spells, for both themselves and others within their orbit--provide more than enough grist for an imaginative, enchanting literary mill.

Reel Reviews

Zathura -- Standard issue, mild juvie entertainment, with a half-and-half feel. Some good stuff (nice visuals, some nice character moments, a blissful lack of skateboards), some bad (the kids are a little grating, the usual product placements). Blend it together an you get a decent, though not especially engaging, movie. Kids will probably like it; if you're uncritical, maybe you will too. Posted 9/30/06.