Reel Reviews

Against The Sun -- This film reveals a fascinating phenomenon: just about any story becomes more compelling when it takes place during World War II. Any movie featuring that time and place automatically gets a boost--even now, 70 years later. As it turns out, this tale needs little extra help to come across as compelling. The story of three Navy airmen who ditched in the South Pacific and survived a thousand mile trip in a life raft has compelling written all over it. Like the recent and similar--but, importantly, fictional--All is Lost, this movie presents its simple premise and provides a riveting story without a lot of bells and whistles to heighten the drama, because it hardly needs any such ornamentation. This really is a find, and is simply put a tremendous movie to watch. Don't miss it.

Reel Reviews

Kingsman: The Secret Service -- This movie is desperately concerned with gaining its Generation AA bona fides, right down to the cockeyed way in which certain characters wear their caps. At the same time, it very self-consciously pays homage--at times out loud in the script--to spy movies of two generations ago. So then, if you throw all that together does it make for a great action adventure spy movie? Well, more like a decent action adventure spy movie. For one thing, this up to date take on the secret agent flick is substantially cruder than its predecessors: more lowbrow in its humor and gorier in its violence. Interestingly, the story gets the politics mostly right, including a provocative take on climate change and what's to be done about it. Bottom line: I suggest watching this one for free, on TV or from the library. As for the future of the genre, I don't think this one earned enough cred to merit a sequel (though I bet one shows up anyway). We'll have to wait for someone else to take this kind of flick to the next level.

Recently Read

The Good, the Bad, and the Furry
by Tom Cox

There's a downside to being cat crazy. Actually, there are a lot of downsides to being any kind of crazy; but right now I'm just focused on the cat crazy part. A downside of being cat crazy is that you can't just pass by anything cat related, even when you just happen to spot that something out of the corner of your eye. Sometimes that impulse can lead you seriously astray.

Case in point: The Good, the Bad, and the Furry by English author Tom Cox. I just happened to spot this book on the New Releases shelf at my local library, and felt compelled to grab it and take it home with me. That result probably owes a lot to the picture on the cover, which shows Cox's cat The Bear soulfully staring out at all who pass by, just begging cat crazy people like yours truly to pick up the book and take it home to read--a process not unlike adoptions at the local Petco.

Reel Reviews

Strangers On A Train -- At first blush this film seems dated, and a little obvious, and perhaps even a little clumsy. Then things get rolling, and the clever plot, artful direction, and healthy doses of wit begin to show as the the stakes grow more imperative, until finally you're left guessing about how it's going to end (not to mention whether or not the protagonist deserves to get out of his mess). In fact, this movie may be the epitome of why today's audience should show plenty of patience when it indulges a taste for yesteryear. There's a lot of good stuff out there, and once you get past the hurdle of outdated references and sensibilities, you can immerse yourself in the clever goings on that paved the way for today's finest works. Give it a shot sometime.

Reel Reviews

Boyhood -- Upon release, this movie got a lot of praise for its unique concept of filming a story over a decade with the same actors, allowing the audience to see the young boy grow to manhood. I think many observers got caught up in the gimmick and glossed over the key film-making mechanism in that idea: the experience of seeing the actors--particularly the children--age over a compressed time period creates an artificial sense of long-term familiarity. That is, the viewer gets the impression that he knows these people like friends or family, which raises the quotient of caring about what happens to this boy, this family, these people. Had this story been filmed in three months, with different young actors representing the stages of the children's lives, viewers would be faced with the fact that, in and of itself, any given individual's life cycle is not especially meaningful or interesting to an outside observer. But develop that artificial sense of intimacy, as this movie does, and you find yourself caring about these characters far beyond anything on the screen--in terms of "story"--actually demands. It's a unique experience, to be sure, and worth seeing for yourself--but perhaps it's not as profound as some might have you believe.

Reel Reviews

Lucy -- There's a distinct possibility that this emperor is not wearing any clothes. That's not to say this is necessarily a bad flick; it's fun to watch, the action and special effects are good, and the economy of storytelling helps things move along quickly and without much drag. The science in this fiction is almost certainly mumbo jumbo, but that's to be expected; it's in the philosophy more than the science where the film breaks down. I just get the sense that what is supposed to come across here as deep and profound may simply be very, very foolish. But you can do worse with an hour and a half of your time.

Bitching and Cunting: a Definition of Terms

Folks tend to be imprecise in their use of words. We've discussed this before in this space, in a post about the definition of stupidity and insanity, among other things. Another place where the subtle difference between similar words causes confusion lies in the space between the terms 'bitching' and 'cunting.'

Almost everyone is familiar with bitching. We've all bitched about this, that, or the other thing now and then. You're bitching when you say, "Dammit, why do I have to do this now? This is so stupid!" whenever your boss asks you to finish those "TPS reports" by the end of today, Friday, when you know perfectly well that no one will even be in the office to look at them until Tuesday at the earliest. Bitching is a form of complaining; it springs from a place of feeling abused, put upon, mistreated, or just simply frustrated. Bitching is complaining that comes from a place of--or at least, the perception of being in a position of--powerlessness.

Reel Reviews

A History of Violence -- An interestingly ambiguous movie. It takes a while for you to figure out what this movie is really about, and in this case that's a good thing. There's a couple of misdirections that are not overly complex nor too clever and self-conscious, which may be the best indication that this film has much deeper things on its mind. Once the story actually does shake down and the viewer realizes "This is what it is," you realize that you've been given a good dose of insight into the consequences of the thing, and that makes the ultimate ambiguity that much more effective. Definitely worth your time and consideration.

Reel Reviews

Annie (2014) -- It's tempting to view this "colorized" version of the old musical as something gimmicky and as an unwarranted attempt to "update" the look of what has long been considered a classic, but as you watch this film, it becomes clearer and clearer that this is a legitimate re-telling of the tale. Indeed, this is probably how the story should play in today's world; we should expect a modern-day Annie would be more Quvenzhané Wallis than Andrea McArdle. Having never seen the play or original movie (or even read the comic strip, for that matter), I have no opinion on how "true" to the original this version is; I just can testify that the story remains strong, its modern touches make sense and work within the plot, the cast of characters is well-represented here, and the performances are mostly true and done well. This seems to have been an overlooked work when it came out, and unfairly so; I suspect most viewers will appreciate it greatly and enjoy it very much.

For The Record, Scale Check

This picture is from last Tuesday morning, July 21st, so it's already out of date, and I probably have already gained back a few of these pounds. The big leap forward (or downward) resulted from a long weekend at Disneyland, which meant a LOT of walking around; hence the big four pound drop from the last low point. Interestingly, this experience reinforces my theory of the "vacation paradox"; while most folks gain weight when on vacation (assuming they do, or maybe they simply assume they do), I tend to lose weight when I'm away--probably because my vacations take me out of my all too familiar environment (including the bad habits of my normal space) and put me in a situation where I suddenly get a lot more exercise (be it hiking in the mountains, or footing it around the Disney parks for three days). So even with 5 days of eating little more than junk food, I still lost weight, and achieved my lowest reading yet. Fascinating stuff; let's see if I can make more of it happen down the road here, before summer is up and the fall weight gain commences.

Reel Reviews

St. Vincent -- Everything in this film is telegraphed, fairly obvious, and not especially original. The thing that saves it--indeed, raises it above the ordinary--is the fact that much of the humor here is funny in its own right (not just derivative of earlier curmudgeon stories), and the quality of the performances given by the principals involved. It's hardly a perfect movie, but it provides enough entertainment to make it worth it.

Reel Reviews

Selma -- An impressive presentation, outstanding performances, and strong, nuanced storytelling make this an exceptional piece of historical movie-making. A most notable feature is the multi-faceted portraits of each of the participants in the narrative; there's some hagiography here, but it is tempered with an honest representation of real characters, faults and all, that adds human dimensions to what otherwise might have been, in less capable hands, a flat, uninteresting work of something near propaganda. Instead we are treated to an effective and ultimately moving history, one that deserves to be viewed on many merits, and which couldn't be more relevant even today, 50 years later.

Reel Reviews

Foxcatcher -- The moral of this story: strange, damaged people should not get together with other strange damaged people. The odd thing that comes through while watching this odd movie is how unnecessary the story--and its tragic ending--were. John duPont could just as easily have stood in Mark Schultz's corner as the wrestling team's sponsor; it's what a lot of rich guys do. But that damage--the need to be his "coach" beyond all self-awareness--led to inevitable conflict and breakdown, and makes this a highlight reel that no Olympian would ever want to be in. The story is clearly told, and the actors do a fine job of conveying the sense of the people--not sure how closely they capture the nature of the people they're playing--but the film loses points for its measured pace, and for being so weird and challenging to the viewer; lots of moviegoers simply would not have the patience for this one. It's worth a look, but a lot of folks simply won't like it. Your mileage may vary.

Reel Reviews

The Postman Always Rings Twice -- He's a dirtbag. She's a cunt. They're both stupid. Her husband's an old drunken fool. What could possibly go wrong? This is one of the oddest movies I've ever watched. It wasn't exactly unengaging, but it's hard to know what to make of a film where the sleazy lawyer character is the one you root for the most. At least Lana Turner was fairly easy on the eyes. Not only were the characters all anti-heroes, but little of the story made much sense. I stayed with it for all of its length--though I was tempted to bail after the second or third false climax--but didn't feel particularly rewarded for the effort. This may be a "film buffs only" project; the rest can probably do without.

Reel Reviews

John Wick -- Shakespeare it ain't. And I imagine that a lot of the plot points would not hold up under rigorous scrutiny. But oh, man--is this movie a hoot to watch. You pretty much know everything that's going to happen long before it does, but it's still wonderfully kick-ass and entertaining to see it anyway. One of the real delights here is the terrifically and comprehensively imagined underworld of violent yet weirdly urbane criminals--a milieu in which everyone understands each other with barely a nod and dirty deeds can get done by just speaking one well-known phrase (though not necessarily done dirt cheap). You may need to check your brain at the door--and not be easily offended by violence; if you are, stay away from this neighborhood--but you will have a rollicking good time with this one.